Terrified, the cock is about to run away, but the sweet-talking fox flatters him. A poor old widow with little property and small income leads a sparse life, and it does not cost much for her to get along. One spring morning, Chaunticleer awakens from a terrible dream of a beast roaming in the yard trying to seize him.
Summary Analysis A poor widow lives a simple life in a little cottage with her two daughters. Chaunticleer cites many different textual sources to prove to Pertelote that dreams are matters that should be taken seriously.
Chaunticleer crows the time more accurately than the church clocks. After finding the money, the men plan to stay with it until it becomes dark and they can safely take it away.
The fox tries to flatter the rooster again, but Chaunticleer has learned his lesson. The overall moral of the tale comes with Chanticleer overcoming danger like an epic hero by refusing to be flattered a second time.
The story the Pardoner tells decries the laziness of the rioters who want to gain money without working for it, yet the Pardoner admits, "I will not do no labor with my hands. She believes the dream to be the result of some physical malady, and she promises him that she will find some purgative herbs.
The loveliest of these is the beautiful and gracious Lady Pertelote. In order to convince her that his dream was important, he tells the stories of men who dreamed of murder and then discovered it.
Chanticleer has many hen-wives, but he loves most truly a hen named Pertelote. He then makes love to Pertelote. Chaunticleer puffs out his chest, beats his wings, closes his eyes, and stretches out his throat, and just as he begins to sing, Russell darts out and grabs him by the throat.
Active Themes Chaunticleer suggests to the fox that he stop and taunt his pursuers. Chanticleer cites textual examples of famous dream interpretations to further support his thesis that dreams are portentous.
A slender meal "sklendre meel" would of course be unthinkable among the rich, but it is all the poor widow has. The fox reaches out and grabs Chanticleer by the throat, and then slinks away with him back toward the woods.
That is, the "humanity" and "nobility" of the animals is ironically juxtaposed against their barnyard life. He is the master, so he thinks, of seven lovely hens. Geoffrey reference to Geoffrey de Vinsauf, an author on the use of rhetoric during the twelfth century.
In the story, Chanticleer, a rooster, has a nightmare about a fox. When the widow and her daughters hear the crying, they rush in to the barnyard.
He uses complex literary allusions to make his point. One day in May, Chanticleer has just declared his perfect happiness when a wave of sadness passes over him. Understandably, such an attractive cock would have to be the Don Juan of the barnyard.
Active Themes Chaunticleer argues that men of even greater authority than Cato argue that dreams are extremely important.
She believes the dream to be the result of some physical malady, and she promises him that she will find some purgative herbs. He asks that someone tell a tale that is the opposite of tragedy, one that narrates the extreme good fortune of someone previously brought low.
Once Pertelote finds out what has happened, she burns her feathers with grief, and a great wail arises from the henhouse. The rich would never allow such a thing. For example, the animals had regal names and Soon the widow, her two daughters, the dogs, hens, geese, ducks, and even the bees, are chasing the fox.
The dogs follow, and pretty soon the whole barnyard joins in the hullabaloo. Chanticleer cites textual examples of famous dream interpretations to further support his thesis that dreams are portentous. He tells Pertelote that a savage, reddish, beast was about to swallow him.
Pertelote says that bad dreams are simply a physical reaction and that Chaunticleer should just take some medicine to set his humors in order. Chanticleer very cleverly suggests that the fox turn and boast to his pursuers.
This contrast is an oblique comment on human pretensions and aspirations in view of the background, made clear when Don Russel challenges Chaunticleer to sing, and the flattery blinds Chaunticleer to the treachery.Summary and Analysis of The Nun's Priest's Tale (The Canterbury Tales) Prologue to the Nun's Priest's Tale: The Knight interrupts the Monk's Tale, for as a man who has reached a certain estate, he does not like to hear tales of a man's fall from grace.
The tale is an outstanding example of the literary style known as a bestiary (or a beast fable) in which animals behave like human beings. Consequently, this type of fable is often an insult to man or a commentary on man's foibles. Irony is the general name given to literary techniques that involve surprising, interesting,or amusing contradictions.
1 Two stories that serve as excellent demonstrations of irony are The Pardoners Tale and The Nun s Priest s Tale, both from Chaucer s The Canterbury Tales. The Nun’s Priest’s Prologue, Tale, and Epilogue Fragment 7, lines – Summary: The Prologue of the Nun’s Priest.
After the Monk has told his tale, the Knight pleads that no more tragedies be told. Pardoners Tale and The Nun's Priest's Tale Irony is the general name given to literary techniques that involve surprising, interesting,or amusing contradictions.
1 Two stories that serve as excellent demonstrations of irony are "The Pardoners Tale" and " The Nun's Priest's Tale," both from Chaucer's The Canterbury Tales. Study Guide for The Canterbury Tales.
The Canterbury Tales is the last of Geoffrey Chaucer's works, and he only finished 24 of an initially planned tales. The Canterbury Tales study guide contains a biography of Geoffrey Chaucer, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.Download